In his essay, I’m
Just Getting to the Disturbing Part, Steven Church does a masterful job of
relaying a profound, and yes disturbing, event through mental spirals. He starts with what Janet Burroway calls a “close
up” and describes the oppressive heat which triggers the trip to Horsetooth Reservoir. Then, we get a long shot that is temporal in
nature when he describes the move to his apartment to the sweltering Front
Range of Colorado. And, the way that he
describes how hot it was in the new place is amazing with visceral descriptions
such as “heat that burns when you inhale,” and “heat that makes you see things
funny—watery mirages…” Then, Church
zooms back to the eventful day when he and his friends decide to go to the
reservoir. But, before progressing to
the next sequential event, Church flashes to the future in which he has a three
year old son and a profound fear of water.
Through this sort of temporal travel, we peel back the layers of what
happened that eventful day and the significance of those events. The manner in which Church unveils the story
is mysterious, suspenseful and mesmerizing.
We get bits and pieces from the past, present and future that are
revealed artfully and in a sequence that allows us to understand the shocking
truth of what happened in a very dramatic fashion.
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